WHITE
LIGHT:
Lets
start with a full disk span, created from two images combined
to form a panorama across the sun. The AR152 is a bit too long
in focal length to allow a full disk shot, but this works well:
Next,
lets zoom in on the two groups with the 2.5x Televue Powermate
Barlow and see what details we can see. This is the solitary
sunspot first:
Next,
here is the really nice sunspot trio with plenty of details to
deliver:
Now
the seeing was not too good, around 2/5 which meant that the
granulation was only seen about 10 percent of the time on the
computer screen live. By combining the best 50 out of 1600 frames,
the software (Autostakkert 2) was able to still pull out a decent
image, and the granulation was now more clearly resolved. First
the nice sunspot trio, with the full six inches of aperture:
Here
is the solitary sunspot, but now I had to stop back down to 4
inches because the seeing had really started to degrade:
Next,
I put in the 393nm Calcium K filter and the two sunspot regions
are now very active hot spots of solar activity. The white areas
around the spots at this wavelength are called "Plage"
and hover over the white light faculae which are normally seen
on the limb faintly. The color of the sun at this wavelength
depends on how old your eyes are! For very young eyes a very
deep purple can just be seen. It becomes dimmer and bluer as
we age. The reason is that this is actually near ultra violet,
and beyond the range of normal vision. Eyes do not work well
in this region. I then tend to colorize the images sometimes
blue, sometimes closer to violet. I am also going to put in a
set with conventional orange hues, which you may like better...
These
are with the 2.5x Barlow:
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